“Patricia Fletcher has worked with me for nearly fifteen years, at both the MFA program at Rutgers University and my acting studio in New York, and has done a tremendous service for all of us who are interested in language and classical text. THIS IS A MUST HAVE BOOK.”
go site William Esper
William Esper Acting Studio
enter CLASSICALLY SPEAKING offers an approach for actors who wish to explore sound beyond their habitual speech, fine-tune their ability to hear and identify subtle variations in sounds and dialects, and to develop the flexibility and skills necessary to adjust their speech to the particular demands of a wider range of characters and material.
THIRD EDITION DIGITAL AUDIO DOWNLOAD
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|Ebook with Embedded Sound Samples|
Read some sample chapters from Classically Speaking below and listen to some sample audio:
|Natural American Speech (NAS)|
|/e/ ‘get’ sound ()|
|Aspirated medial ‘t’ ()|
|Polysyllabic word endings()|
More About the Book
Introduction, IPA, Rhythm Highlighters (90 pages) The book begins with 45 pages of IPA study and focuses on general rhythmic issues for well-spoken American English, before delving into the specific spoken sounds of Neutral American Speech (NAS) in detail.
Neutral American Speech (NAS) (237 pages) is the most practical dialect an actor can study. Sometimes referred to as General American, it is spoken without regionalisms that identify an actor’s specific point of origin or ‘home’ sounds. When effectively incorporated, the actor – and therefore the character – is not revealed as explicitly Southern, Mid-Western, or from Boston, New York, Chicago, Tennessee, New Hampshire, Texas, etc. He/she is therefore ‘neutral’.
Classical American dialect (89 pages) offers an intermediate option between well-pronounced Neutral American and Standard British. It builds upon Neutral American, blending additional rhythmic and sound elements, which result in more formal or heightened speech without sounding British to an American ear.
Mid-Atlantic dialect (18 pages), which often sounds like Standard British to the untrained ear, is covered in brief, as is its relationship to Classical American and Standard British.
Standard British (RP) (63 pages), the dialect traditionally spoken by the English upper and upper-middle classes, is appropriate for characters in period plays, those of the 19th century authored by Shaw and Wilde, or Restoration playwrights Congreve and Farquhar, among others.
Note: It is also beneficial for American actors to know Standard British as a foundation on which to build their study of foreign accents. Speakers of Standard British have taught English as a second language to many people worldwide, and this is reflected in these people’s spoken English sounds.
“Patricia Fletcher’s book Classically Speaking is a compendium of everything there is to know about how words are formed when speaking Neutral American, Classical American and Standard British, both using IPA and in detailed description of lip, tongue and jaw positioning. She explains figures of speech, rhythms of speech and speech inflections and offers hundreds of practice texts from one-liners to tongue twisters to poems and speeches. The serious student will find everything here to expand and enrich his or her awareness of and expertise in speech, dialects and text interpretation. Ms. Fletcher is a brilliant and sensitive teacher – her knowledge is faithfully represented in these pages.”
Founder, Linklater Voice
“Whether you are an actor, voice teacher, or director, Classically Speaking by Patricia Fletcher is A TERRIFIC AND COMPREHENSIVE WORKBOOK for language and articulation. This book is an invaluable and well-organized guide in deciding which choices to make to enhance and serve the playing of any text, from the classic to modern repertoire.”
Associate Director, The Linklater Center
for Voice and Language
Columbia Graduate School of Theatre
Circle-in-the-Square Theatre School
“Pat’s ability to translate the complexities of Standard and Classical Speech into clear and simple practice, makes her an amazing resource for any student of voice and speech, both personally and a through her indispensable book, CLASSICALLY SPEAKING. I knew Pat was an amazing teacher when I was her student, but since becoming a speech teacher myself, I’ve realized the true extent of her mastery.”
Actress & Teacher
“I consider Patricia Fletcher ONE OF THE FOREMOST INSTRUCTORS IN THE FIELD. Through her character-driven speech and dialect work, Pat’s care and concern is always on the mantle of originality and creativity. I am enviable of today’s graduate students, and I welcome her daily to the classroom in appreciation for this very valuable new textbook for the 21st century actor.”
Director, New School for Drama
New School University
Artistic Director, MCC Theatre
“Patricia’s sensitivity to the sounds, rhythms, and musicality of American speech TUNES THE ACTOR’S EAR TO A WORLD OF DIALECTS, through the use of phonetics, a comprehensive CD, and an arsenal of quotes from Shakespeare, Chekhov, Ibsen, Strindberg, Shaw, Wilde, Congreve, Poe, Dickens, Melville, Lewis Carroll, and much much more…”
Founding Artistic Director, Classic Stage Company
“Patricia Fletcher is a gifted teacher whose work reflects a unique understanding of speech as a ‘character’ choice. Classically Speaking is amazingly thorough and enormously ‘user-friendly’. Whether an experienced actor or beginner, THIS BOOK IS ESSENTIAL.”
Co-chair, Voice & Speech
Actors Studio Drama School, New School University
“I’m moved to sing high praises to Patricia Fletcher for her very excellent book Classically Speaking: Dialects for Actors (2nd ed.). This is a very accessible, clearly written, and well-organized book focusing on Neutral American, Classical American, and Standard British (RP), complete with a CD with lots of examples of each. Pat’s writing is unpretentious and “actor-friendly” with IPA charts, learning/practice strategies, and lots of practice text.”
Connie de Veer
Assistant Professor Acting/Voice
Texas Christian University
“I think the book is really useful and the CD is fantastic! I will definitely use this book for my grads.”
Chicago College of Performing Arts/